RoutineX Spotlight
One dancer. Every frame. Drawn on.
A private technique breakdown that reads like an hour with a coach who filmed her and marked it all up — for $14.99 instead of $75–150, with notes that don't vanish when the lesson ends.
One-time. Two to three minutes. Money-back guarantee.
RoutineX Spotlight
Coaching, drawn on her.
Every angle on these frames is measured from the dancer's own body. Gold marks what is working. Pink marks what to change. The dashed line is where the line should be.
- 12–16 key moments, chosen from 60–80 tracked frames
- The corrected limb drawn beside hers, so she sees the difference
- Seven category scores and how it reads on a judge's card
- Priorities with the cause, drills with sets, reps and a cue
- Competition-day cues, a four-week plan, a PDF for her teacher
Frames shown are generated stage photographs run through the same tracker — no real dancer appears on this site.
The working leg reads 150° from vertical — well above the hip line, which is what the judges reward. The supporting knee is locked at 176°. The one note: the working knee is 171°, not quite straight, so the line stops two inches short of where the foot could be.
A 169° split in the air with the front leg straight at 176°. The back knee is 164°: it is the first thing a judge sees from the side, and straightening it is worth more than any extra inch of height. The ghost line shows where that back leg sits when the knee finishes.
The kicking leg reads 175° from vertical with both knees locked at 176° — this is a line the judges score. The torso tips 64° to make room for it, which is the trade a tilt asks for; the arm on the lifted side stays long through the fingertips. Nothing to fix here. This is the frame to put on the fridge.
The lead leg is at 79° from vertical and the knees are 166° and 175° — the judges will see the softer knee first. The chest stays up (13° of lean, which is the goal: hips roll under, chest doesn't drop) and the arms hold a clean V. The corrected line shows the lead leg with the knee finished and two more degrees of lift.
This is the frame judges watch hardest and parents never film. The knees are 117° and 90° — the right side is taking more of the landing, which is why one hip reads lower than the other. Shoulders are level (within 2°) and the arms are held, which saves the picture. The fix is in the preparation, not the landing: equal push off both feet.
What comes back
Everything a $150 lesson would give her — and the parts it can't.
- Key moments, drawn on
- 12–16 frames a coach would freeze on — the apex of the jump, the top of the extension, the landing, the turn — each with the lines, angles and corrections drawn directly on her.
- Measured, not described
- Every angle comes from on-device pose tracking on her own body. 161° at the supporting knee is 161°, not “a little soft.”
- The difference, drawn
- On the moments that matter, the corrected limb is drawn translucent beside hers — same frame, knee finished, leg where it should be — so she sees exactly what to change.
- How it reads on a judge's card
- Technique, performance, choreography, presentation, overall — weighted the way real sheets are, with the sentence each judge would say into the mic.
- Next time on stage
- Competition-day cues written to her, in order: the walk-on, the first eight, the hard part, recovering a wobble, the finish. Plain words, nothing corny. Plus three lines for you about the car ride home.
- Seven category scores
- Lines and extension, alignment, jumps and landings, turns and balance, arms, feet and turnout, presence. Honest numbers with the evidence.
- Priorities with the cause
- Not “work on landings” — what in the preparation is making the landing heavy, and the one cue she says to herself to fix it.
- Drills with doses
- Five to eight no-equipment drills tied to the priorities, with sets, reps, days a week and a cue.
- A four-week plan
- Foundation, strength, integration, performance. Built to land before the next competition.
- A PDF for her teacher
- Dark, clean, every page from her own frames. Forward it to the studio, print it for the fridge.
- Group videos welcome
- Tap your dancer on the first frame. We follow her through the routine and blur everyone else before upload.
How a Spotlight report is made
Two to three minutes. The most thorough look she can get.
- 1
Upload from your phone
Any routine video — a studio run-through, last weekend's comp, a living-room take. Group video? Tap your dancer on the first frame and we follow her through the routine. Everyone else is blurred before anything leaves the phone.
- 2
Every frame gets measured
Sixty to eighty frames are tracked on your device: knees, hips, shoulders, lines, lean, balance. From those we pick the moments a coach would freeze on — the apex of the jump, the top of the extension, the landing, the turn.
- 3
A coach writes it up
What is working and why it scores. What to change, with the cause behind it. The marks drawn on her frames, drills with cues, a four-week plan. Two to three minutes later it is on your screen and in your inbox as a PDF.
- “slay”Dancer, after her report
- “I really love the idea of this product — something I’ve been looking for.”Stephanie F., dance parent
- “I truly appreciate that you built this from the eye of a parent and protecting the privacy of children.”Stephanie F., dance parent
- “Thank you so much! I am adding my review in now!”Jana R., dance parent
- “5.0 on the App Store”RoutineX: Dance & Cheer AI
- “slay”Dancer, after her report
- “I really love the idea of this product — something I’ve been looking for.”Stephanie F., dance parent
- “I truly appreciate that you built this from the eye of a parent and protecting the privacy of children.”Stephanie F., dance parent
- “Thank you so much! I am adding my review in now!”Jana R., dance parent
- “5.0 on the App Store”RoutineX: Dance & Cheer AI
Privacy
Your child's privacy isn't an afterthought.
- The video never leaves your phone
- Frames are pulled from the video on your device. The file itself is never uploaded, to us or anyone.
- Other dancers are blurred before upload
- In a group video you tap your dancer. Everyone else is blurred on your phone, before a single frame is sent.
- Nobody watches
- No human reviews your frames. Routine-scoring frames are deleted within 24 hours. Spotlight keeps only the frames in your report, and you can delete the whole report with one tap.
- Built by a dance parent
- RoutineX was built by a competitive-dance family for competitive-dance families. The founder answers the support email himself.
What families ask us to look at
Bring the question. We bring the frames.
- “Her turns have been inconsistent — she struggles to control her energy.”
- “Is her technique clean enough for Teen Elite?”
- “What's costing us points?”
- “Are we competition-ready? Comp is in five months and we just finished the dance.”
- “Technique, not performance — this is just a combo.”
- “What other variation can she do to score better?”